Change Log

1.7.0

  • Improved the sample browser:
    • Analyzes your samples for type, one-shot or loop, BPM, key, and pitch.
    • Shows similar sounds close together on a map.
    • Search, filter by type and tag, and mark favorites.
    • SUGGEST finds sounds similar to the selected or loaded one, or that fit the song.
    • Preview samples before loading them, through a new PREVIEW output in the audio settings.
  • Sample library folders can now be added in Preferences > GENERAL.
  • Added START and END to every module that plays a sound file.
  • Now requires macOS 12 or later.
  • Minor bug fixes and improvements.

1.6.0

  • [Breaking change] Redesigned the master section:
    • Improved the multiband compressor.
    • Added a bass enhancer.
    • Added a transient enhancer.
    • Added a DRIVE effect.
    • Added stereo width and tilt controls.
    • Redesigned the maximizer.
    • Added a scope with a loudness (LUFS) readout.
    • Note: a project saved with 1.5.0 or earlier can sound different. Its master settings are carried over when it opens, as closely as the new controls allow.
  • Improvements to parameter mapping:
    • Mappings can now be edited in the preferences window.
    • A single controller can now be assigned to multiple parameters, and a parameter to multiple controllers.
    • Each mapping can now cover just part of a parameter’s range, such as 50% to 100%, and the range can be inverted so that turning a control up turns the parameter down.
  • Added Arrange Nodes to the FX patcher’s right-click menu, which tidies the layout without changing the sound. Nodes can now be selected and moved together.
  • Added a metronome, with its own METRONOME output in the audio settings.
  • Added an LFO to each mixer strip, controlling its level and its distortion.
  • Minor bug fixes and improvements.

1.5.0

  • Major improvements to triggers:
    • Modules can now follow another instrument’s trigger, or the clock, chosen from their right-click menu.
    • Each LFO can now run on a different trigger from the module hosting it.
    • Delay 1, Delay 2, and Reverb now receive triggers, and can randomize their dials on each one.
    • New TRIGGER MODE for quantizing the triggers you play: LIVE, QUANTIZE, and REPEAT.
    • The sequencer can now record the triggers you play.
  • Improvements to audio recording:
    • New REC START and REC STOP settings for beginning and ending a take on the clock or on a trigger.
    • New LEVEL and CLIP settings for the recorded file.
    • Improved the performance of multi-channel recording.
  • Replaced Delay 1’s MOD1 with an LFO, and renamed MOD2 to MOD.
  • Improved audio stability at small buffer sizes.
  • Minor bug fixes and improvements.

1.4.0

  • Major improvements to the LFOs:
    • Modulation resolution is now sample-accurate.
    • Each LFO can now modulate multiple targets at once.
    • Redesigned the LFO options panel.
    • Live waveform previews.
    • Noise can now be selected as a waveform.
    • New SKEW, RISE, FALL, and SAH controls.
  • Improved the sound of the distortion on the MIX channels.
  • Improved DSP performance.
  • Minor bug fixes and improvements.

1.3.5

  • Added undo and redo functionality.
  • Modifier keys can now be assigned to controllers.
  • Improved audio stability.
  • Improved GUI performance.
  • Improved keyboard handling.
  • Fixed an issue that occurred when using different audio devices for input and output.
  • Minor bug fixes.

1.3.1

  • Added selectable audio input channel routing so the app can use the chosen stereo input pair instead of assuming hardware inputs 1-2.
  • Added Link Audio support for sending audio to, and receiving audio from, compatible peers.
  • Minor Improvements.

1.3.0

  • Expanded multi-channel audio interface routing: MST1/MST2/BUS1–BUS6 can now be assigned freely to any hardware output.
  • Added per-output bus delay time and level controls.
  • Added audio-rate clock, reset, and trigger outputs for syncing and triggering modular gear via audio interfaces.
  • Added MIDI Clock output support for syncing external gear.
  • Added support for multiple MIDI controllers.

1.2.8

  • Minor bug fixes.

1.2.7

  • Minor bug fixes.

1.2.6

  • Added LFO target options for Send Delay2.
  • Key mappings for instrument activation such as Z,X,C,V can now be changed.
  • Keyboard layout is now specified in mappings.config instead of 2020.config.

1.2.5

  • Fixed channel handling for multi-channel devices.
  • Added documentation on recording 2020 sounds into DAWs using an audio routing application, see Tips & Tricks page.

1.2.4

  • Adjusted parameter slew rates.
  • Sequencers can now be rewound by OSC or MIDI controllers using the clock/start message.
  • Minor fixes and improvements.

1.2.3

  • Fixed issue where the process could be paused when the beat length is changed while Ableton Link is enabled.

1.2.2

  • Added Sync Delay option to the Ableton Link Preferences.
  • Fixed issue where beat positions could be misaligned while Ableton Link is enabled.

1.2.0

  • Added a NEW FEATURE called “Dejavu” that turns parameter randomizers into generative sequencers. It creates up to 32 generation histories for ALL parameter randomizers and sequentially reproduces past random numbers based on a set probability and length. Adjust the DJV and LEN parameters located on the right part of the clock module to control the global Dejavu parameters. Otherwise they can be set per module via OSC or MIDI with an address like /group1/dejavu/prob.
  • Added an option to disable preset recall for each module. This allows the module to be used as a preset-free module. To disable or enable, right-click on the module and select Disable Preset Recall.
  • Now BPM is no longer restored on Snapshot load while Clock is playing. If Clock is stopped, BPM is restored on Snapshot load.
  • Minor bug fixes.

1.1.0

  • Added a distortion processor to each channel of the MIX. Command + Drag to adjust the amount of distortion.
  • The key layout of Preset Selector can now be customized for non-QWERTY keyboards. See the User Interface Guide for details.

1.0.9

  • Fixed an issue where recording of Aiff files did not work properly.
  • The bit depth of recorded files can now be selected. The default is 24-bit.
  • Minor bug fixes.

1.0.8

  • Data recorded for 12-channel or 4-channel stem is now saved in separate files for each channel.
  • Recording files are now saved in a 32-bit floating-point format.
    Please note that recording files with 32-bit floating-point will capture signals louder than 0 dB. Please take care not to damage your ears or equipment.

1.0.7

  • Minor bug fixes.

1.0.6

  • Improved performance on Intel Macs.
  • Minor bug fixes.

1.0.5

  • Fixed effects processor code to prevent potential crashes.

1.0.4

  • Fixed minor memory issues.

1.0.3

  • Minor improvements.

1.0.2

  • Fixed a crash on startup on Intel Macs running High Sierra.
  • Demo projects can now be opened from the Help menu.

1.0.1

  • Bug fixes.

1.0.0

  • First release.